Spring begins and the new wave of commercial shoots. A good RECCE is indispensable for all departments. Especially for the director of photography and for the production team. That is why today we want to mention the 10 essential questions that must be answered during the RECCE. 1.-Is the mains supply beefy enough for … Read more
Shooting a subject on greenscreen is relatively simple. People, unlike motor vehicles, tend not to have curved and angular edges. These highly polished and rigid structures will reflect, refract, bounce and spill light off the green walls. And show the kit and crew’s reflections too. With this article in Zeferino Professional Light we want … Read more
In these past oscars, Roger Deakins after his 14 nomination to the oscars got his statue, today we want to review the audiovisual material that is always on his list. Bounce Muselin (Palio structure and white cloth) His primary weapon of choice is the muslin bounce. This is something he developed over many years, right from … Read more
In Zeferino Professional Lighting this week we want to talk about what’s important when lighting chroma. Apparently shooting on green screen is relatively straightforward, but you’ll want to learn a few tricks to make the process easier. In the following video from Aputure they show us how to achieve the best results. At some … Read more
Making films is very different today for young cinematographer, than it used to be just a few years ago In Zeferino Professional Lighting we want to take a look at how new technologies can improve or not young careers. All DPs face professional and emotional challenges when it comes to their work. But emerging cinematographers in this … Read more